Is a space for artistic research, experimentation and imagination. Set up by Bartels in an attempt to articulate and enclose the fringes in the scope of her artistic practice. To explore the absurd, bizarre, boring and (un)usual fascinations at a certain point in time. To dive into the potential of fragmentary bits an pieces, creating analogies between
concepts, questions and ideas. Blurring fiction and reality, where nothing is what it seems and vice versa.
Serious play or playful seriousness.
Schmilblique derived from Schmilblick
The Schmilblick is an imaginary object created by the French humorist Pierre Dac during the 1950s. It is absolutely useless, and can therefore be used for anything, being rigorously entire. Pierre Dac himself credits the brothers Jules and Raphaël Fauderche with its invention.
The word quickly became very popular in French language and was sometimes used as a synonym for thing or stuff, or something designating a strange or unknown object. Nowadays, this word is frequently used to refer to some limited help provided by someone to solve a difficult problem. The idiom is actually 'Faire avancer le schmilblick' (To make the schmilblick move/get ahead, literally). Also, advancing a subject.
Ouvroir | Faire avancer le schmilblick
is a space for artistic research, experimentation and imagination. To explore the absurd, bizarre, boring, the (un)usual. To dive into the potential of fragmentary bits an pieces, creating analogies between concepts, questions and ideas. Blurring fiction and reality, where nothing is what it seems and vice versa. Serious play or playful seriousness.
Set up by Karin Bartels in an attempt to articulate and enclose the fringes in the scope of her artistic practice.
Website in Process
Video inspired by the song Sur ton répondeur by Arnaud Fleurent-Didier. The video is set in Paris and because La Ville Lumière was the background of the song Karin wished to make a seemingly simple, but elegant video that would play with the idea of drawing with light. The background drawing of Paris was made by hand by cutting out shapes so a light could beam through the negative space of the paper that would make the drawings appear.
Karin "shot" the video in one go by running simultaneously the music and recording her computerscreen by animating the drawings by hand in photoshop.
Length: 3:50 min.
Music: Sur ton répondeur by Arnaud Fleurent-Didier (CC).
Black & White
CC license
Sur ton répondeur, video, Bring Your Own Beamer (BYOB), Jan van Eyck Academie, Museumnacht Maastricht, Maastricht (NL)
