Is a space for artistic research, experimentation and imagination. Set up by Bartels in an attempt to articulate and enclose the fringes in the scope of her artistic practice. To explore the absurd, bizarre, boring and (un)usual fascinations at a certain point in time. To dive into the potential of fragmentary bits an pieces, creating analogies between
concepts, questions and ideas. Blurring fiction and reality, where nothing is what it seems and vice versa.
Serious play or playful seriousness.
Schmilblique derived from Schmilblick
The Schmilblick is an imaginary object created by the French humorist Pierre Dac during the 1950s. It is absolutely useless, and can therefore be used for anything, being rigorously entire. Pierre Dac himself credits the brothers Jules and Raphaël Fauderche with its invention.
The word quickly became very popular in French language and was sometimes used as a synonym for thing or stuff, or something designating a strange or unknown object. Nowadays, this word is frequently used to refer to some limited help provided by someone to solve a difficult problem. The idiom is actually 'Faire avancer le schmilblick' (To make the schmilblick move/get ahead, literally). Also, advancing a subject.
Ouvroir | Faire avancer le schmilblick
is a space for artistic research, experimentation and imagination. To explore the absurd, bizarre, boring, the (un)usual. To dive into the potential of fragmentary bits an pieces, creating analogies between concepts, questions and ideas. Blurring fiction and reality, where nothing is what it seems and vice versa. Serious play or playful seriousness.
Set up by Karin Bartels in an attempt to articulate and enclose the fringes in the scope of her artistic practice.
Website in Process
During the Haussmann renovation of the city, Paris has been perfectly designed for the art of walking around aimlessly also known as flânerie. The literary and theoretical figure of the Flâneur, shaped by modernity, still inspires, resonates and echoes in contemporary artistic practices. Paris needs to be explored by foot, without a particular goal but to observe and discover what is around the corner.
While moving to Paris offered Karin the opportunity to discovering the city without a plan, but to walk around. And use this as a gateway to the continuation of her artistic practice. The reality of the distructive nature of air pollution on her health kicked in like a force of nature only 2 weeks after moving to the city.
So how to navigate a city that makes you ill beyond belief. What to do when walking around aimlessly becomes a health hazard. Pollution Walks is a personal research and attempt to finding strategies to live with air pollution. Instead of aimlessly walking around, these strategies became the dominant narrative when navigating the city, trying to reduce exposure to pollution as much as possible.
Karin created a series of maps. She attempted to plan the most ideal walks through the city in terms of avoiding pollution. The walk would go around each arrondissement and connect the route with all surrounding arrondissements based on her research on minimizing exposure to pollution. Avoiding as much as possible the boulevards and busy streets and focussing on the quiet streets and green spaces. The green lines would be relatively safe and quiet areas, the red lines show the most polluted boulevards and the orange lines indicated the larger radius around these arteries of pollution. As the orange cirkels on the map visualize, there where in fact many pollution infarcts presenting itself while planning the most ideal Pollution Walks around the arrondissements.
Pollution walks, maps, public space, Paris, (FR)